Sentence 1.1Those ad campaigns celebrating the Big Apple, those T-shirts with a heart design proclaiming “I love New York,’ are signs, pathetic in their desperation, of how the mighty has fallen.
Lesson 6 · Complete Study Guide
Loving and Hating New York
逐句双语 · 语法 · 全词汇美式 IPA · 具体修辞 · 全部练习答案
课文逐句精读
段落完整解析
段落主旨与篇章作用
主旨:那些歌颂“大苹果”的广告宣传活动,那些印有心形图案带“我爱纽约”字样的T恤衫,像是绝望中发出的一声悲怅,只能 显示纽约这个非凡之城正日趋走向没落。
作用:开篇建立《Loving and Hating New York》的叙述或论证起点,交代核心对象,并为下文展开设定观察角度。
行文结构与逻辑
先写“那些歌颂“大苹果”的广告宣传活动,那些印有心形图案带“我爱纽约”字样的T恤衫,像是绝望中发出的一声悲怅,只能 显示纽约这个非……”;中部推进到“纽约过去从不自吹自擂,因为自夸本身就表明你是“二流角色”。”;最后落在“作为美国最大而 且最好的城市,纽约是独一无二的,也就没有必要宣称自己是如何与众不同了。”,构成起点—展开—落点的层次。
主要关系:并列/递进
核心句法
Those ad campaigns celebrating the Big Apple, those T-shirts with a heart design proclaiming “I love New York,’ are signs, pathetic in their desperation, of how the mighty has fallen.
句型:简单句或并列句。多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- T-shirts/ˈti ˌʃɝts/T恤衫(复数)
- bush/ˈbʊʃ/粗俗的,乡土气的,乡下的
修辞手法、原文证据与效果
- Enumeration / Parallelism · 列举/排比Those ad campaigns celebrating the Big Apple, those T-shirts with a heart design proclaiming “I love New York,’ are signs, pathetic in their desperation, of how the mighty has fall…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Antonomasia · 换称the Big Apple用广为人知的专名或别称 Big Apple 代替城市 New York。把城市名称转化为带文化联想的标签,既醒目又具有时代气息。
- Quotation / Scare Quotes · 引语/讽刺引号bush.引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 1.2New York City used to leave the bragging to others, for bragging was “bush.”
Sentence 1.3Being unique, the biggest and the best, New York didn’t have to assert how special it was.
段落完整解析
段落主旨与篇章作用
主旨:然而,今日的纽约已不再处于顶尖位置了,如果顶尖位置是由开创时尚、领导潮流方面的标准来衡量的话。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“然而,今日的纽约已不再处于顶尖位置了,如果顶尖位置是由开创时尚、领导潮流方面的标准来衡量的话。”;中部推进到“它曾经是美国公认的时尚权威,却由于长 期抵制日渐流行的休闲服饰而丧失了其垄断地位。”;最后落在“纽约已不再是众望所归、纷起仿效的对象了,如今它甚至以成为美国流 行时尚的抵制者,以成为摆脱全国清一色的单调局面的一隅逃遁之地……”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、条件/选择、并列/递进
核心句法
No longer so looked up to or copied, New York even prides itself on being a holdout from prevailing American trends, a place to escape Common Denominator Land.
句型:简单句或并列句。句首限制/程度成分造成倒装或强调语序。
- 阅读顺序应为:先确定主语和限定谓语,再接宾语或表语,最后回填介词短语、修饰语和语气成分。
词汇与短语
- holdout/ˈhoʊˌldaʊt/坚固据点
修辞手法、原文证据与效果
- Simile · 明喻as often as it is out of step with American politics以 like 或 as...as 明示两个对象之间的相似性。把抽象判断转化为具体形象,帮助读者迅速把握特征。
- Litotes / Negative Emphasis · 曲言/否定强调No longer so looked up to or copied通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
翻译与理解难点
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 2.1It isn’t the top anymore, at least if the top is measured by who begets the styles and sets the trends.
Sentence 2.2Nowadays New York is out of phase with American taste as often as it is out of step with American politics.
Sentence 2.3Once it was the nation’s undisputed fashion authority, but it too long resisted the incoming casual style and lost its monopoly.
Sentence 2.4No longer so looked up to or copied, New York even prides itself on being a holdout from prevailing American trends, a place to escape Common Denominator Land.
段落完整解析
段落主旨与篇章作用
主旨:纽约无力保持先导地位这一点已是愈发明显了。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“纽约无力保持先导地位这一点已是愈发明显了。”;中部推进到“流行 歌曲创作发行中心也从纽约的廷潘胡同转移到了纳什维尔和好莱坞。”;最后落在“而体育运动方面,那些规模较大的体育馆、更振奋人心的球队以及最狂热的球迷们, 也往往出现在纽约以外的地方。”,构成起点—展开—落点的层次。
主要关系:转折/对照、并列/递进
核心句法
The giant Manhattan television studios where Toscanini’s NBC Symphony once played now sit empty most of the time, while sitcoms cloned and canned in Hollywood, and the Johnny Carson show live, preempt the airways from California.
句型:复合句/复杂句。含关系或连接成分 where,需结合先行词辨认定语从句/名词从句;含从属连词 while,构成时间、原因、让步、条件或比较状语。
- 关系或连接标记为 where;应逐一确认先行词,避免把定语从句误作新的主句。
- 从属标记为 while;它们分别组织让步、原因、时间、条件或选择关系。
词汇与短语
- pacesetter/ˈpeɪˌsɛtɚ/标兵
- preempt/ˈpriˌɛmpt/占据……的位置,取代
- nightspot/ˈnaɪtˌspɑt/夜总会
修辞手法、原文证据与效果
- Metonymy · 借代hollywood以地点代电影工业。用高度凝练的关联名称压缩复杂社会背景。
- Metonymy · 借代tin pan alley以地点代流行音乐出版业。用高度凝练的关联名称压缩复杂社会背景。
- Litotes / Negative Emphasis · 曲言/否定强调Vegas casinos routinely pay heavy sums to singers and entertainers whom no nightspot in Manhattan ca通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Enumeration / Parallelism · 列举/排比In sports, the bigger superdomes, the more exciting teams, the most enthusiastic fans, are often found elsewhere.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 3.1Its deficiencies as a pacesetter are more and more evident.
Sentence 3.2A dozen other cities have buildings more inspired architecturally than any built in New York City in the past twenty years.
Sentence 3.3The giant Manhattan television studios where Toscanini’s NBC Symphony once played now sit empty most of the time, while sitcoms cloned and canned in Hollywood, and the Johnny Carson show live, preempt the airways from California.
Sentence 3.4Tin Pan Alley has moved to Nashville and Hollywood.
Sentence 3.5Vegas casinos routinely pay heavy sums to singers and entertainers whom no nightspot in Manhattan can afford to hire.
Sentence 3.6In sports, the bigger superdomes, the more exciting teams, the most enthusiastic fans, are often found elsewhere.
段落完整解析
段落主旨与篇章作用
主旨:纽约向来都不是集会的好场所——因为人们普遍认为那里不太友善,不太安全,人口拥挤,而且物价高昂——但现在它 似乎正在重新变回旅游胜地。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“纽约向来都不是集会的好场所——因为人们普遍认为那里不太友善,不太安全,人口拥挤,而且物价高昂——但现在它 似乎正在重新变回旅……”;中部推进到“即便如此,绝大多数美国人可能会对新奥尔良、旧金山、华盛顿或迪斯尼乐园等地给予更高 的评价。”;最后落在“另外还有其他十余座城市,包括我的家乡西雅图在内,往往被认为比纽约更适于居住。”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、并列/递进
核心句法
New York was never a good convention city—being regarded as unfriendly, unsafe, overcrowded, and expensive—but it is making something of a comeback as a tourist attraction.
句型:复合句/复杂句。出现 be + 过去分词形式,应结合语义判断被动语态或分词形容词;有过去分词短语,通常表示被动或完成并作后置修饰/状语;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明。
- be + 过去分词结构需结合施事与受事判断:是真正被动,还是已经形容词化的状态表达。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
词汇与短语
- 本段以常用词为主;重点应放在词语搭配、指代和上下文语义上。
修辞手法、原文证据与效果
- Metonymy · 借代pens以书写工具代写作和作家。用高度凝练的关联名称压缩复杂社会背景。
- Litotes / Negative Emphasis · 曲言/否定强调never a good convention city—being regarded as unfriendly通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Antithesis · 对照New York was never a good convention city—being regarded as unfriendly, unsafe, overcrowded, and expensive—but it is making something of a comeback as a tourist attraction.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never a good convention city—being regarded as unfriendly使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Enumeration / Parallelism · 列举/排比Even so, most Americans would probably rate New Orleans, San Francisco, Washington, or Disneyland higher.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 4.1New York was never a good convention city—being regarded as unfriendly, unsafe, overcrowded, and expensive—but it is making something of a comeback as a tourist attraction.
Sentence 4.2Even so, most Americans would probably rate New Orleans, San Francisco, Washington, or Disneyland higher.
Sentence 4.3A dozen other cities, including my hometown of Seattle, are widely considered better cities to live in.
段落完整解析
段落主旨与篇章作用
主旨:那么,为什么有许多欧洲人称纽约是他们心目中最喜爱的城市呢?
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“那么,为什么有许多欧洲人称纽约是他们心目中最喜爱的城市呢?”;中部推进到“也许其中的一些欧洲人是因为看到眼前 的景象而感到心头踏实:在麦迪逊大街和第五大街这两条双胞胎似的繁华大街上的那些熟悉的国际名……”;最后落在“然而这并不是真正的原因;最令欧洲人激动不已 的却是这个城市的那种情绪饱满的紧张气氛,那种庸俗的动态活力。”,构成起点—展开—落点的层次。
主要关系:转折/对照、时间/次序、并列/递进
核心句法
Perhaps some of these Europeans are reassured by the sight, on the twin fashion avenues of Madison and Fifth, of all those familiar international names—the jewelers, shoe stores, and designer shops that exist to flatter and bilk the frivolous rich.
句型:复合句/复杂句。含关系或连接成分 that,需结合先行词辨认定语从句/名词从句;出现 be + 过去分词形式,应结合语义判断被动语态或分词形容词;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 that;应逐一确认先行词,避免把定语从句误作新的主句。
- be + 过去分词结构需结合施事与受事判断:是真正被动,还是已经形容词化的状态表达。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- bilk/ˈbɪlk/蒙骗,欺骗
- dynamism/ˈdaɪnəˌmɪzəm/活力,精力,推动力
修辞手法、原文证据与效果
- Rhetorical Question · 反问/设问Why, then, do many Europeans call New York their favorite city?以问句形式提出论点、质疑默认立场或引导下文,重点不在索取一个现场回答。把读者卷入推理过程,并加强语气或制造段落转折。
- Enumeration / Parallelism · 列举/排比They take more readily than do most Americans to its cosmopolitan complexities, its surviving, aloof, European standards, its alien mixtures.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Enumeration / Parallelism · 列举/排比Perhaps some of these Europeans are reassured by the sight, on the twin fashion avenues of Madison and Fifth, of all those familiar international names—the jewelers, shoe stores, a…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all those familiar international names—the jewelers使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Litotes / Negative Emphasis · 曲言/否定强调But no; what most excites Europeans is the city’s charged, nervous atmosphere, its vulgar dynamism.通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Antithesis · 对照But no; what most excites Europeans is the city’s charged, nervous atmosphere, its vulgar dynamism.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 5.1Why, then, do many Europeans call New York their favorite city?
Sentence 5.2They take more readily than do most Americans to its cosmopolitan complexities, its surviving, aloof, European standards, its alien mixtures.
Sentence 5.3Perhaps some of these Europeans are reassured by the sight, on the twin fashion avenues of Madison and Fifth, of all those familiar international names—the jewelers, shoe stores, and designer shops that exist to flatter and bilk the frivolous rich.
Sentence 5.4But no; what most excites Europeans is the city’s charged, nervous atmosphere, its vulgar dynamism.
段落完整解析
段落主旨与篇章作用
主旨:纽约充满了活力、竞争和奋斗。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“纽约充满了活力、竞争和奋斗。”;中部推进到“纽约到处是无休无止的斗争——为了地铁上的座位,为了引起一个的士司机、一个办事员或一个 侍者的注意,为了一个立足之地,为了一次……”;最后落在“在纽约,成功也就意味着你将终日惶惶不安;失败也就意味着你得和大多数心灰意冷的人一起挤攘度日。”,构成起点—展开—落点的层次。
主要关系:因果、并列/递进
核心句法
It is about constant battles for subway seats, for a cabdriver’s or a clerk’s or a waiter’s attention, for a foothold, a chance, a better address, a larger billing.
句型:简单句或并列句。多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- put-down/ˈpʊt ˌdaʊn/贬低的话,反驳;无礼的回答
- foothold/ˈfʊˌthoʊld/立足点,据点
- proximity/prɑˈksɪməti/亲近,接近
修辞手法、原文证据与效果
- Quotation / Scare Quotes · 引语/讽刺引号Whaddya gonna do?引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Rhetorical Question · 反问/设问And since it contains its share of articulate losers, it is also about mockery, the put-down, the loser’s shrug (“Whaddya gonna do?以问句形式提出论点、质疑默认立场或引导下文,重点不在索取一个现场回答。把读者卷入推理过程,并加强语气或制造段落转折。
- Enumeration / Parallelism · 列举/排比It is about constant battles for subway seats, for a cabdriver’s or a clerk’s or a waiter’s attention, for a foothold, a chance, a better address, a larger billing.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 6.1New York is about energy, contention, and striving.
Sentence 6.2And since it contains its share of articulate losers, it is also about mockery, the put-down, the loser’s shrug (“Whaddya gonna do?”).
Sentence 6.3It is about constant battles for subway seats, for a cabdriver’s or a clerk’s or a waiter’s attention, for a foothold, a chance, a better address, a larger billing.
Sentence 6.4To win in New York is to be uneasy; to lose is to live in jostling proximity to the frustrated majority.
段落完整解析
段落主旨与篇章作用
主旨:我从不认为纽约是我心目中的麦加圣地。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“我从不认为纽约是我心目中的麦加圣地。”;中部推进到“但总的说来,我倒真想不出这世界上还有哪几个地方我更想去居住的。”;最后落在“至于原因嘛,我自己也说不出个所以然来。”,构成起点—展开—落点的层次。
主要关系:转折/对照、并列/递进
核心句法
And though I have lived there more than half my life, you won’t find me wearing an “I Love New York” T-shirt.
句型:简单句或并列句。含从属连词 though,构成时间、原因、让步、条件或比较状语。
- 从属标记为 though;它们分别组织让步、原因、时间、条件或选择关系。
词汇与短语
- T-shirt/ˈti ˌʃɝt/T恤衫
修辞手法、原文证据与效果
- Litotes / Negative Emphasis · 曲言/否定强调never Mecca to me通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never Mecca to me使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Quotation / Scare Quotes · 引语/讽刺引号I Love New York引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all in all使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
翻译与理解难点
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 7.1New York was never Mecca to me.
Sentence 7.2And though I have lived there more than half my life, you won’t find me wearing an “I Love New York” T-shirt.
Sentence 7.3But all in all, I can’t think of many places in the world I’d rather live.
Sentence 7.4It’s not easy to define why.
段落完整解析
段落主旨与篇章作用
主旨:在纽约人们所能享受到的大自然带来的乐趣是非常有限的。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“在纽约人们所能享受到的大自然带来的乐趣是非常有限的。”;中部推进到“在纽约总是大自然向人屈服:瞧瞧人行道 上那些柔弱的树木吧,它们在四面逼进的水泥路面和阵阵袭来的石油废气中拼命挣扎以求生存。”;最后落在“公园的长椅上坐了些上了年纪的人,其中以白人居多,看样子像是背井离乡的。 这里已经不是什么宁静的公园了,倒更像是一个肮脏凌乱的……”,构成起点—展开—落点的层次。
主要关系:转折/对照、并列/递进
核心句法
Central Park, which Frederick Law Olmsted designed as lungs for the city’s poor, is in places grassless and filled with trash, no longer pristine yet lively with the noise and vivacity of people, largely youths, blacks, and Puerto Ricans, enjoying themselves.
句型:复合句/复杂句。含关系或连接成分 which,需结合先行词辨认定语从句/名词从句;逗号后有现在分词/完成分词短语,通常作伴随、原因或结果状语;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 which;应逐一确认先行词,避免把定语从句误作新的主句。
- 逗号后的 -ing / having done 成分不另立限定谓语,通常补充伴随、原因或结果。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- star-filled/ˈstɑr ˌfɪld/布满星星的
- jagged/ˈdʒæɡəd/锯齿状的,参差不齐的
- skyline/ˈskaɪˌlaɪn/空中轮廓线
- gamely/ˈɡeɪmli/不屈不挠地,勇敢地
- pristine/ˈprɪstin/质朴的,纯洁的
- vivacity/vɪˈvæsəti/活泼,快活,生机勃勃
- tranquil/ˈtræŋkwəl/平静的,安静的
- carnival/ˈkɑrnəvəl/狂欢,热闹,欢 宴
修辞手法、原文证据与效果
- Litotes / Negative Emphasis · 曲言/否定强调never see a star-filled sky通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never see a star-filled sky使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Personification · 拟人Nature constantly yields to man in New York让地点、制度、自然物或抽象概念具有人的动作、感官或意志。使抽象关系具有行动感,同时突出作者的评价态度。
- Litotes / Negative Emphasis · 曲言/否定强调no longer pristine yet lively with the noise and vivacity of people通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Enumeration / Parallelism · 列举/排比Central Park, which Frederick Law Olmsted designed as lungs for the city’s poor, is in places grassless and filled with trash, no longer pristine yet lively with the noise and viva…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 8.1Nature’s pleasures are much qualified in New York.
Sentence 8.2You never see a star-filled sky; the city’s bright glow arrogantly obscures the heavens.
Sentence 8.3Sunsets can be spectacular: oranges and reds tinting the sky over the Jersey meadows and gaudily reflected in a thousand windows on Manhattan’s jagged skyline.
Sentence 8.4Nature constantly yields to man in New York: witness those fragile sidewalk trees gamely struggling against encroaching cement and petrol fumes.
Sentence 8.5Central Park, which Frederick Law Olmsted designed as lungs for the city’s poor, is in places grassless and filled with trash, no longer pristine yet lively with the noise and vivacity of people, largely youths, blacks, and Puerto Ricans, enjoying themselves.
Sentence 8.6On park benches sit older people, mostly white, looking displaced.
Sentence 8.7It has become less a tranquil park than an untidy carnival.
段落完整解析
段落主旨与篇章作用
主旨:吸引着我从远方来到纽约的不是这个城市的魅力,而是它给我提供的机会,让我可以从事我梦寐以求的新闻事业。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“吸引着我从远方来到纽约的不是这个城市的魅力,而是它给我提供的机会,让我可以从事我梦寐以求的新闻事业。”,再转入“当时 的我甚至不敢肯定自己的能力是否比得上那些在常青藤联盟名牌大学受过更好教育的人士,又怎能竞争得过纽约那些意志 坚强的本地人或是那些智商很……”,形成前提—发展、描写—评价或问—答关系。
主要关系:因果、转折/对照、条件/选择、举例、并列/递进
核心句法
I wasn’t even sure how I'd measure up against others who had been more soundly educated at Ivy League schools, or whether I could compete against that tough local breed, those intellectual sons of immigrants, so highly motivated and single-minded, such as Alfred Kazin, who for diversion (for heaven's sake!) played Bach’s Unaccompanied Partitas on the violin.
句型:复合句/复杂句。含关系或连接成分 that, who,需结合先行词辨认定语从句/名词从句;含从属连词 whether,构成时间、原因、让步、条件或比较状语;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 that、who;应逐一确认先行词,避免把定语从句误作新的主句。
- 从属标记为 whether;它们分别组织让步、原因、时间、条件或选择关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- glamour/ˈɡlæmɚ/魅力,吸引力
- single-minded/ˈsɪŋɡəl ˌmaɪndəd/目标专一的;专心致志的
修辞手法、原文证据与效果
- Litotes / Negative Emphasis · 曲言/否定强调never beckoned to me from a distance通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Antithesis · 对照Not the glamour of the city, which never beckoned to me from a distance, but its opportunity—to practice the kind of journalism I wanted—drew me to New York.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never beckoned to me from a distance使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Enumeration / Parallelism · 列举/排比I wasn’t even sure how I'd measure up against others who had been more soundly educated at Ivy League schools, or whether I could compete against that tough local breed, those inte…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 9.1Not the glamour of the city, which never beckoned to me from a distance, but its opportunity—to practice the kind of journalism I wanted—drew me to New York.
Sentence 9.2I wasn’t even sure how I'd measure up against others who had been more soundly educated at Ivy League schools, or whether I could compete against that tough local breed, those intellectual sons of immigrants, so highly motivated and single-minded, such as Alfred Kazin, who for diversion (for heaven's sake!) played Bach’s Unaccompanied Partitas on the violin.
段落完整解析
段落主旨与篇章作用
主旨:今天仍有许多青年被吸引到纽约来,因为他们想锻炼一下自己,生怕自己的才能被埋没而沦为庸碌之辈。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“今天仍有许多青年被吸引到纽约来,因为他们想锻炼一下自己,生怕自己的才能被埋没而沦为庸碌之辈。”;中部推进到“商业性的百老汇剧院可能会将他们拒之门外,但不是还有那 些外百老汇剧院和外外百老汇剧院吗?”;最后落在“但今天这一代青年艺术家明显构成了一个亚文化群,成为一些精品屋和咖啡馆的赚钱对象,也不再那么疏远社会 了。”,构成起点—展开—落点的层次。
主要关系:转折/对照、条件/选择、时间/次序、并列/递进
核心句法
The artistic young inhabit the same Greenwich Village and its fringes in which the experimentalists in the arts lived during the Depression, united by a world against them.
句型:复合句/复杂句。含关系或连接成分 which,需结合先行词辨认定语从句/名词从句;有过去分词短语,通常表示被动或完成并作后置修饰/状语。
- 关系或连接标记为 which;应逐一确认先行词,避免把定语从句误作新的主句。
词汇与短语
- banal/bəˈnɑl/平庸的,平凡的;陈腐的
- squalor/ˈskwɑlɚ/肮脏;不幸,悲惨
- off-Broadway/ˈɔf ˌbrɔˌdweɪ/外百老汇的;纽约小型专业剧场的
- off-off-Broadway/ˈɔf ˌɔf ˌbrɔˌdweɪ/外外百老汇的;更小型、更实验性的剧场的
- plush/ˈplʌʃ/豪华的
- grubby/ˈɡrʌbi/肮脏的,凌乱的
- bohemian/boʊˈhimiən/波希米亚的
- subculture/ˈsʌˌbkʌltʃɚ/亚文化群
修辞手法、原文证据与效果
- Hyperbole / Absolute Diction · 夸张/绝对化措辞always使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Metonymy · 借代pens以书写工具代写作和作家。用高度凝练的关联名称压缩复杂社会背景。
- Repetition · 反复broadway关键词在同一句中有意多次出现,形成语义回环或结构支点。持续锁定中心概念,使论述具有强调和节奏推进作用。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all that estranged使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
翻译与理解难点
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 10.1A testing of oneself, a fear of giving in to the most banal and marketable of one’s talents, still draws many of the young to New York.
Sentence 10.2That and, as always, the company of others fleeing something constricting where they came from.
Sentence 10.3Together these young share a freedom, a community of inexpensive amusements, a casual living, and some rough times.
Sentence 10.4It can’t be the living conditions that appeal, for only fond memory will forgive the inconvenience, risk, and squalor.
Sentence 10.5Commercial Broadway may be inaccessible to them, but there is off-Broadway, and then off-off-Broadway.
Sentence 10.6If painters disdain Madison Avenue’s plush art galleries, Madison Avenue dealers set up shop in the grubby precincts of Soho.
Sentence 10.7But the purity of a bohemian dedication can be exaggerated.
Sentence 10.8The artistic young inhabit the same Greenwich Village and its fringes in which the experimentalists in the arts lived during the Depression, united by a world against them.
Sentence 10.9But the present generation is enough of a subculture to be a source of profitable boutiques and coffeehouses.
Sentence 10.10And it is not all that estranged.
段落完整解析
段落主旨与篇章作用
主旨:曼哈顿是一个在大多数方面与美国大陆隔绝的孤岛,但在两个领域内它仍占支配地位。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“曼哈顿是一个在大多数方面与美国大陆隔绝的孤岛,但在两个领域内它仍占支配地位。”;中部推进到“只有在确信影片改编自某一畅销书或是某位大牌明星的参演能 保证一部好莱坞影片获得成功时,华尔街才会投下百万巨资用于制作该片。”;最后落在“在纽约这地方真正的知识学问没有市场,狡黠世故却颇有市场。”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、条件/选择、并列/递进
核心句法
The networks’ news centers are here, and the largest book publishers, and the biggest magazines—and therefore the largest body of critics to appraise the films, the plays, the music, the books that others have created.
句型:复合句/复杂句。含关系或连接成分 that,需结合先行词辨认定语从句/名词从句;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 that;应逐一确认先行词,避免把定语从句误作新的主句。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- 本段以常用词为主;重点应放在词语搭配、指代和上下文语义上。
修辞手法、原文证据与效果
- Metonymy · 借代wall street以地点代金融机构和金融力量。用高度凝练的关联名称压缩复杂社会背景。
- Metonymy · 借代hollywood以地点代电影工业。用高度凝练的关联名称压缩复杂社会背景。
- Enumeration / Parallelism · 列举/排比The networks’ news centers are here, and the largest book publishers, and the biggest magazines—and therefore the largest body of critics to appraise the films, the plays, the musi…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 11.1Manhattan is an island cut off in most respects from mainland America, but in two areas it remains dominant.
Sentence 11.2It is the banking and the communications headquarters for America.
Sentence 11.3In both these roles it ratifies more than it creates.
Sentence 11.4Wall Street will advance the millions to make a Hollywood movie only if convinced that a bestselling title or a star name will ensure its success.
Sentence 11.5The networks’ news centers are here, and the largest book publishers, and the biggest magazines—and therefore the largest body of critics to appraise the films, the plays, the music, the books that others have created.
Sentence 11.6New York is a judging town, and often invokes standards that the rest of the country deplores or ignores.
Sentence 11.7A market for knowingness exists in New York that doesn’t exist for knowledge.
段落完整解析
段落主旨与篇章作用
主旨:商业广告公司也全集中在这里。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“商业广告公司也全集中在这里。”;中部推进到“实际上,那些银行家、广告商、市场营销专家以及数以千计的为他们工作的高薪雇员们为纽约这 个城市定下了冷漠的基调——对广大的美国……”;最后落在“还有他们那 种视公众为一大堆可以任意排列组合的数字的态度,就像高层写字楼下卡嗒作响的地铁转门一样显得冷漠无情。”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、并列/递进
核心句法
The ad agencies are all here too, testing the markets and devising the catchy jingles that will move millions from McDonald’s to Burger King, so that the ad agency’s “creative director” can lunch instead in Manhattan’s expense-account French restaurants.
句型:复合句/复杂句。含关系或连接成分 that,需结合先行词辨认定语从句/名词从句;逗号后有现在分词/完成分词短语,通常作伴随、原因或结果状语。
- 关系或连接标记为 that;应逐一确认先行词,避免把定语从句误作新的主句。
- 逗号后的 -ing / having done 成分不另立限定谓语,通常补充伴随、原因或结果。
词汇与短语
- catchy/ˈkæˌtʃi/引人注目的,醒目的
- expense-account/ɪˈkspɛns əˌkaʊnt/可由公司报销开支的;公费账户的
- admen/ˈædmən/广告员
- ancillary/ˈænsəˌlɛri/附属的,辅助的
- brittle/ˈbrɪtəl/尖利的,刺耳的
- well-paid/ˈwɛl ˌpeɪd/薪酬优厚的
- condescending/ˌkɑndɪˈsɛndɪŋ/故意屈尊的,叫人欠情似的
- malleable/ˈmæliəbəl/有延展性的,可锻的;可适应的
修辞手法、原文证据与效果
- Metonymy · 借代pens以书写工具代写作和作家。用高度凝练的关联名称压缩复杂社会背景。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all here too使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Quotation / Scare Quotes · 引语/讽刺引号creative director引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Antithesis · 对照The bankers and the admen, the marketing specialists and a thousand well-paid ancillary service people, really set the city’s brittle tone—catering to a wide American public whose …以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 12.1The ad agencies are all here too, testing the markets and devising the catchy jingles that will move millions from McDonald’s to Burger King, so that the ad agency’s “creative director” can lunch instead in Manhattan’s expense-account French restaurants.
Sentence 12.2The bankers and the admen, the marketing specialists and a thousand well-paid ancillary service people, really set the city’s brittle tone—catering to a wide American public whose numbers must be respected but whose tastes do not have to be shared.
Sentence 12.3The condescending view from the fiftieth floor of the city’s crowds below cuts these people off from humanity. s9 does an attitude which sees the public eee in terms of large, malleable numbers—as does the clatterin vay ru le ben Eubee tee towers.
段落完整解析
段落主旨与篇章作用
主旨:我对从事这些行业的人,尤其是其中较为年轻的竟缺乏愤世嫉俗的精神而感到吃惊。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“我对从事这些行业的人,尤其是其中较为年轻的竟缺乏愤世嫉俗的精神而感到吃惊。”;中部推进到“他们在别处过他们真正的生活,在格 林威治村的酒吧间里,他们穿着和行为上与那些预备艺术家、演员和作家们别无二致。”;最后落在“此外,如今严肃艺术往往从统书艺术中吸取养分, 这倒使通俗艺术发生了一些可喜的讽刺性变化。”,构成起点—展开—落点的层次。
主要关系:因果、并列/递进
核心句法
The boundaries of “art for art’s sake” aren't so rigid anymore; art itself is less sharply defined, and those whose paintings don’t sell do illustrations; those who can’t get acting jobs do commercials; those who are writing ambitious novels sustain themselves on the magazines.
句型:复合句/复杂句。含关系或连接成分 who, whose,需结合先行词辨认定语从句/名词从句;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明。
- 关系或连接标记为 who、whose;应逐一确认先行词,避免把定语从句误作新的主句。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
词汇与短语
- hype/ˈhaɪp/欺骗,骗局(夸张或过分 的宣称,尤其用在做广告或促销物品)
- would-be/ˈwʊd ˌbi/想要成为……的;自称的
修辞手法、原文证据与效果
- Litotes / Negative Emphasis · 曲言/否定强调The television generation grew up in the insistent presence of hype, delights in much of it, and has通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Simile · 明喻like the pilots who from great heights bombed Hanoi以 like 或 as...as 明示两个对象之间的相似性。把抽象判断转化为具体形象,帮助读者迅速把握特征。
- Quotation / Scare Quotes · 引语/讽刺引号art for art’s sake引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Repetition · 反复those关键词在同一句中有意多次出现,形成语义回环或结构支点。持续锁定中心概念,使论述具有强调和节奏推进作用。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 13.1I am surprised by the lack of cynicism, particularly among the younger ones, of those who work in such fields.
Sentence 13.2The television generation grew up in the insistent presence of hype, delights in much of it, and has no scruples about practicing it.
Sentence 13.3Men and women do their jobs professionally, and, like the pilots who from great heights bombed Hanoi, seem unmarked by it.
Sentence 13.4They lead their real lives elsewhere.
Sentence 13.5In the Village bars they are indistinguishable in dress or behavior from would-be artists, actors, and writers.
Sentence 13.6The boundaries of “art for art’s sake” aren't so rigid anymore; art itself is less sharply defined, and those whose paintings don’t sell do illustrations; those who can’t get acting jobs do commercials; those who are writing ambitious novels sustain themselves on the magazines.
Sentence 13.7Besides, serious art often feeds on the popular these days, changing it with fond irony.
段落完整解析
段落主旨与篇章作用
主旨:那些初来纽约的人迟早会找到或形成他们自己的小圈子。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“那些初来纽约的人迟早会找到或形成他们自己的小圈子。”;中部推进到“不管你是哪一种人,在纽约总能找到与你相似的人。”;最后落在“人们在日常交往中保持距离,彼此间缺乏关爱,这就造成了另 一种影响:那些孤独者在纽约的孤寂感比在美国其他任何城市都更感孤独。”,构成起点—展开—落点的层次。
主要关系:转折/对照、并列/递进
核心句法
And it isn’t as necessary to know anything about an apartment neighbor—or to worry about his judgment of you— as it is about someone with an adjoining yard.
句型:简单句或并列句。分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
词汇与短语
- adjoining/əˈdʒɔɪnɪŋ/相连的,邻接的,隔壁的
修辞手法、原文证据与效果
- Simile · 明喻like you以 like 或 as...as 明示两个对象之间的相似性。把抽象判断转化为具体形象,帮助读者迅速把握特征。
- Repetition · 反复about关键词在同一句中有意多次出现,形成语义回环或结构支点。持续锁定中心概念,使论述具有强调和节奏推进作用。
- Simile · 明喻like seeks like以 like 或 as...as 明示两个对象之间的相似性。把抽象判断转化为具体形象,帮助读者迅速把握特征。
- Litotes / Negative Emphasis · 曲言/否定强调This distancing, this uncaring in ordinary encounters, has another side: in no other American city c通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
翻译与理解难点
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 14.1In time the newcomers find or form their own worlds; Manhattan is many such worlds, huddled together but rarely interacting.
Sentence 14.2I think this is what gives the city its sense of freedom.
Sentence 14.3There are enough like you, whatever you are.
Sentence 14.4And it isn’t as necessary to know anything about an apartment neighbor—or to worry about his judgment of you— as it is about someone with an adjoining yard.
Sentence 14.5In New York, like seeks like, and by economy of effort excludes the rest as strangers.
Sentence 14.6This distancing, this uncaring in ordinary encounters, has another side: in no other American city can the lonely be as lonely.
段落完整解析
段落主旨与篇章作用
主旨:需要说明的情况还有很多。
作用:承接前文作因果归结,把此前事实或理由压缩为本段结论。
行文结构与逻辑
先写“需要说明的情况还有很多。”;中部推进到“纽约是一个受了创伤的城市,它重税压身,不堪负担,好景不再,江河日下。”;最后落在“但纽约并不 是一个行将就木的城市;这儿的街道与五年前相比较更加安全了;百老汇大街虽曾在繁华旖旎的环境包围之下一度一蹶不 振……”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照
核心句法
But it is not a dying city; the streets are safer than they were five years ago; Broadway, which seemed to be succumbing to the tawdriness of its environment, is astir again.
句型:复合句/复杂句。含关系或连接成分 which,需结合先行词辨认定语从句/名词从句;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明。
- 关系或连接标记为 which;应逐一确认先行词,避免把定语从句误作新的主句。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
词汇与短语
- astir/əˈstɝ/活动的,轰动的
修辞手法、原文证据与效果
- Antithesis · 对照But it is not a dying city; the streets are safer than they were five years ago; Broadway, which seemed to be succumbing to the tawdriness of its environment, is astir again.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
翻译与理解难点
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 15.1So much more needs to be said.
Sentence 15.2New York is a wounded city, declining in its amenities, overloaded by its tax burdens.
Sentence 15.3But it is not a dying city; the streets are safer than they were five years ago; Broadway, which seemed to be succumbing to the tawdriness of its environment, is astir again.
段落完整解析
段落主旨与篇章作用
主旨:街道上垃圾遍地,学校里秩序混乱,人人自危而惶恐不安,噪声不绝于耳,人们言行粗鲁无礼——这一切都会使外地 人更加坚定决心:就算把纽约送给他们,他们也不愿意在这里居住。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“街道上垃圾遍地,学校里秩序混乱,人人自危而惶恐不安,噪声不绝于耳,人们言行粗鲁无礼——这一切都会使外地 人更加坚定决心:就算……”;中部推进到“但是这个纽约人会说,这也太沉闷了。”;最后落在“对他而言,纽约——虽然有种种缺点,就连他自己也无可奈何地承认(“还有什么新的 吗?”)——令他对美国所有其他的城市都不屑一顾……”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、条件/选择、并列/递进
核心句法
The trash-strewn streets, the unruly schools, the uneasy feeling or menace, the noise, the brusqueness—all confirm outsiders in their conviction that they wouldn't live here if you gave them the place.
句型:复合句/复杂句。含关系或连接成分 that,需结合先行词辨认定语从句/名词从句;含从属连词 if,构成时间、原因、让步、条件或比较状语;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 that;应逐一确认先行词,避免把定语从句误作新的主句。
- 从属标记为 if;它们分别组织让步、原因、时间、条件或选择关系。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- trash-strewn/ˈtræʃ ˌstrun/垃圾遍地的
- cabana/kəˈbænə/简易浴室
- tranquil/ˈtræŋkwəl/平静的,安静的
- well-to-do/ˈwɛl ˌtu ˌdu/富裕的;小康的
- hassle/ˈhæsəl/混乱,麻烦
修辞手法、原文证据与效果
- Enumeration / Parallelism · 列举/排比The trash-strewn streets, the unruly schools, the uneasy feeling or menace, the noise, the brusqueness—all confirm outsiders in their conviction that they wouldn't live here if you…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all confirm outsiders in their conviction that they wouldn使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Transferred Epithet · 移就uneasy feelinguneasy 本属于感受者的心理状态,在结构上移来限定 feeling 所指的环境体验。把人的感受压进名词短语,使描写更紧凑,也让主观情绪渗入客观景物或概念。
- Enumeration / Parallelism · 列举/排比Yet show a New Yorker a splendid home in Dallas, or a swimming pool and cabana in Beverly Hills, and he will be admiring but not envious.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Antithesis · 对照Yet show a New Yorker a splendid home in Dallas, or a swimming pool and cabana in Beverly Hills, and he will be admiring but not envious.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all other American cities使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Quotation / Scare Quotes · 引语/讽刺引号So what else is new?引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Rhetorical Question · 反问/设问To him, New York—despite its faults, which he will impatiently concede (“So what else is new?以问句形式提出论点、质疑默认立场或引导下文,重点不在索取一个现场回答。把读者卷入推理过程,并加强语气或制造段落转折。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 16.1The trash-strewn streets, the unruly schools, the uneasy feeling or menace, the noise, the brusqueness—all confirm outsiders in their conviction that they wouldn't live here if you gave them the place.
Sentence 16.2Yet show a New Yorker a splendid home in Dallas, or a swimming pool and cabana in Beverly Hills, and he will be admiring but not envious.
Sentence 16.3So much of well-to-do America now lives antiseptically in enclaves, tranquil and luxurious, that shut out the world.
Sentence 16.4Too static, the New Yorker would say.
Sentence 16.5Tell him about the vigor of your outdoor pleasures; he prefers the unhealthy hassle and the vitality of urban life.
Sentence 16.6He is hopelessly provincial.
Sentence 16.7To him, New York—despite its faults, which he will impatiently concede (“So what else is new?”)—is the spoiler of all other American cities.
段落完整解析
段落主旨与篇章作用
主旨:在二十个其他的美国城市里,人们可以参观一流的艺术博物馆,聆听美妙的音乐,观赏生动活泼的实验戏剧,结识一 些懂得享受生活、美食并善于言谈的聪明世故之士;并且所有这一切享受体验都有一个宽敞舒适的环境。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“在二十个其他的美国城市里,人们可以参观一流的艺术博物馆,聆听美妙的音乐,观赏生动活泼的实验戏剧,结识一 些懂得享受生活、美食并善于言谈的聪明……”,再转入“然而,纽约人还 是不愿意居在那些地方。”,形成前提—发展、描写—评价或问—答关系。
主要关系:时间/次序、并列/递进
核心句法
It is possible in twenty other American cities to visit first-rate art museums, to hear good music and see lively experimental theater, to meet intelligent and sophisticated people who know how to live, dine, and talk well; and to enjoy all this in congenial and spacious surroundings.
句型:复合句/复杂句。含关系或连接成分 who,需结合先行词辨认定语从句/名词从句;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 关系或连接标记为 who;应逐一确认先行词,避免把定语从句误作新的主句。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- congenial/kəˈndʒinjəl/同类的,同情的;b) suited to one’s needs or nature; agreeable相宜的,适合的
- first-rate/ˈfɝst ˌreɪt/一流的;极好的
修辞手法、原文证据与效果
- Enumeration / Parallelism · 列举/排比It is possible in twenty other American cities to visit first-rate art museums, to hear good music and see lively experimental theater, to meet intelligent and sophisticated people…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞all this in congenial and spacious surroundings使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 17.1It is possible in twenty other American cities to visit first-rate art museums, to hear good music and see lively experimental theater, to meet intelligent and sophisticated people who know how to live, dine, and talk well; and to enjoy all this in congenial and spacious surroundings.
Sentence 17.2The New Yorker still wouldn't want to live there.
段落完整解析
段落主旨与篇章作用
主旨:那些在许多外地人看来难以忍受、令人讨厌的地方正是纽约人所割舍不下的——它的粗俗、紧张、急迫感,它那激烈 的竞争、苛刻的评判,以及那么多活在自己的世界里、不分等级挤作一团的纽约人。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“那些在许多外地人看来难以忍受、令人讨厌的地方正是纽约人所割舍不下的——它的粗俗、紧张、急迫感,它那激烈 的竞争、苛刻的评判……”;中部推进到“对于那些穷途末路、病魔缠 身、疲惫不堪、不知所措的人,最好不要与之交谈(他们并不希望这样),只需用同情的目光稍稍接触一下,表……”;最后落在“即便是提供帮助,纽约人也会用嘲弄的方式来表示:一个人闯红灯,冲到一辆开过来的汽车前,他身后的那个人 就会大声嚷道:“当心,伙……”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、并列/递进
核心句法
What he would find missing is what many outsiders find oppressive and distasteful about New York—its rawness, tension, urgency; its bracing competitiveness; the rigor of its judgments; and the congested, democratic presence of so many other New Yorkers, encased in their own worlds.
句型:复合句/复杂句。有过去分词短语,通常表示被动或完成并作后置修饰/状语;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- bracing/ˈbreɪsɪŋ/振奋精神的,令人奋发的
- rigor/ˈrɪɡɚ/严厉,苛刻
- congested/kəˈndʒɛstəd/拥挤的
- taunt/ˈtɔnt/嘲笑,嘲弄
修辞手法、原文证据与效果
- Enumeration / Parallelism · 列举/排比What he would find missing is what many outsiders find oppressive and distasteful about New York—its rawness, tension, urgency; its bracing competitiveness; the rigor of its judgme…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Transferred Epithet · 移就bracing competitivenessbracing 逻辑上描述竞争给人的振奋感,却移来直接修饰 competitiveness。把人的感受压进名词短语,使描写更紧凑,也让主观情绪渗入客观景物或概念。
- Enumeration / Parallelism · 列举/排比With the desperate, the ill, the fatigued, the overwhelmed, one learns not to strike up conversation (which isn’t wanted) but to make brief, sympathetic eye contact, to include the…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Antithesis · 对照With the desperate, the ill, the fatigued, the overwhelmed, one learns not to strike up conversation (which isn’t wanted) but to make brief, sympathetic eye contact, to include the…以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Quotation / Scare Quotes · 引语/讽刺引号Watch it, Mac,引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Quotation / Scare Quotes · 引语/讽刺引号You want to be wearing a Buick with Jersey plates?引号可能保存原话,也可能标示作者与流行标签、陈词滥调之间的距离。保留时代声音,并提示读者不要毫无保留地接受被引说法。
- Rhetorical Question · 反问/设问“You want to be wearing a Buick with Jersey plates?以问句形式提出论点、质疑默认立场或引导下文,重点不在索取一个现场回答。把读者卷入推理过程,并加强语气或制造段落转折。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 对话需保留人物的语气、停顿和言外之意,不能只传递字面信息。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 18.1What he would find missing is what many outsiders find oppressive and distasteful about New York—its rawness, tension, urgency; its bracing competitiveness; the rigor of its judgments; and the congested, democratic presence of so many other New Yorkers, encased in their own worlds.
Sentence 18.2The defeated are not hidden away somewhere else on the wrong side of town.
Sentence 18.3In the subways, in the buses, in the streets, it is impossible to avoid people whose lives are harder than yours.
Sentence 18.4With the desperate, the ill, the fatigued, the overwhelmed, one learns not to strike up conversation (which isn’t wanted) but to make brief, sympathetic eye contact, to include them in the human race.
Sentence 18.5It isn’t much, but it is the fleeting hospitality of New Yorkers, each jealous of his privacy in the crowd.
Sentence 18.6Even helpfulness is often delivered as a taunt: a man, rushing the traffic light, dashes in front of an oncoming car.
Sentence 18.7“Watch it, Mac,” shouts the man behind him.
Sentence 18.8“You want to be wearing a Buick with Jersey plates?” great scorn in the word Jersey, home of drivers who don’t belong here.
段落完整解析
段落主旨与篇章作用
主旨:根据阿道夫·希特勒的定义,纽约是一个杂种城市。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“根据阿道夫·希特勒的定义,纽约是一个杂种城市。”;中部推进到“没有其他哪个大城 市——无论是伦敦、巴黎、罗马还是东京——能接纳(或是收容)如此多的民族。”;最后落在“新加入的人永远不会被完全同化,只是不稳定 地增加到未被同化的行列中。”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、时间/次序
核心句法
The mix is much wider—Asians, Africans, Latins—than when that tumultuous variety of Europeans crowded ashore at Ellis Island.
句型:复合句/复杂句。含关系或连接成分 that,需结合先行词辨认定语从句/名词从句;含从属连词 when,构成时间、原因、让步、条件或比较状语;分号或破折号连接/补充多个信息层次,阅读时先拆分主干再处理插入说明。
- 关系或连接标记为 that;应逐一确认先行词,避免把定语从句误作新的主句。
- 从属标记为 when;它们分别组织让步、原因、时间、条件或选择关系。
- 分号或破折号划分较大的意义层次:先分别找各层主干,再判断并列、转折或补充关系。
词汇与短语
- mongrel/ˈmɑŋɡrəl/贬>杂种,混交种
- metropolis/məˈtrɑpələs/大城市,大都会
- tumultuous/ˌtuˈmʌˌltʃuəs/骚乱的,吵闹的
修辞手法、原文证据与效果
- Allusion · 典故/用典Hitler借历史、神话或文学中的专名唤起其既有故事和价值判断。以极少文字引入更大的文化语境,并为当前论证提供类比或反讽参照。
- Personification · 拟人 or Tokyo—plays host (or hostage) to so many nationalities让地点、制度、自然物或抽象概念具有人的动作、感官或意志。使抽象关系具有行动感,同时突出作者的评价态度。
- Litotes / Negative Emphasis · 曲言/否定强调No other great city—not London, Paris, Rome, or Tokyo—plays host (or hostage) to so many nationaliti通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Litotes / Negative Emphasis · 曲言/否定强调never fully absorbed通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Antithesis · 对照The newcomers are never fully absorbed, but are added precariously to the undigested many.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never fully absorbed使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
翻译与理解难点
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 19.1By Adolf Hitler’s definition, New York is a mongrel city.
Sentence 19.2It is in fact the first truly international metropolis.
Sentence 19.3No other great city—not London, Paris, Rome, or Tokyo—plays host (or hostage) to so many nationalities.
Sentence 19.4The mix is much wider—Asians, Africans, Latins—than when that tumultuous variety of Europeans crowded ashore at Ellis Island.
Sentence 19.5The newcomers are never fully absorbed, but are added precariously to the undigested many.
段落完整解析
段落主旨与篇章作用
主旨:纽约太大了,无法为任何一个团体所控制,无论是祖先是英国新教徒的美国人,还是犹太人、黑人或不同血统的天主 教徒——爱尔兰人、意大利人、西班牙裔。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“纽约太大了,无法为任何一个团体所控制,无论是祖先是英国新教徒的美国人,还是犹太人、黑人或不同血统的天主 教徒——爱尔兰人、意……”;中部推进到“这个城市很典型地淹没了联合国,不把联合国当回事,而 把它看作一个不可运作的机构:空想、不切实际、虚伪。”;最后落在“但是纽约人却在训练自己如何在一个多民族的社会里共同生活 ——这是迈向未来必要的开端。”,构成起点—展开—落点的层次。
主要关系:转折/对照、并列/递进
核心句法
Characteristically, the city swallows up the United Nations and refuses to take it seriously, regarding it as an unworkable mixture of the idealistic, the impractical, and the hypocritical.
句型:复合句/复杂句。逗号后有现在分词/完成分词短语,通常作伴随、原因或结果状语;多重逗号成分构成长句,注意并列项、插入语与主谓主干的边界。
- 逗号后的 -ing / having done 成分不另立限定谓语,通常补充伴随、原因或结果。
- 本句包含多层逗号成分;括出插入语和并列项后,剩余部分即为主要主谓骨架。
词汇与短语
- 本段以常用词为主;重点应放在词语搭配、指代和上下文语义上。
修辞手法、原文证据与效果
- Enumeration / Parallelism · 列举/排比New York is too big to be dominated by any group, by Wasps or Jews or blacks, or by Catholics of many origins—Irish, Italian, Hispanic.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞All have their little sovereignties使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Personification · 拟人 the city swallows up the United Nations and refuses to take it seriously让地点、制度、自然物或抽象概念具有人的动作、感官或意志。使抽象关系具有行动感,同时突出作者的评价态度。
- Enumeration / Parallelism · 列举/排比Characteristically, the city swallows up the United Nations and refuses to take it seriously, regarding it as an unworkable mixture of the idealistic, the impractical, and the hypo…多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
翻译与理解难点
- 长句先找限定谓语,再把定语从句、状语、同位语和插入语逐层拆开;中文可按逻辑顺序分译。
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 20.1New York is too big to be dominated by any group, by Wasps or Jews or blacks, or by Catholics of many origins—Irish, Italian, Hispanic.
Sentence 20.2All have their little sovereignties, all are sizable enough to be reckoned with and tough in asserting their claims, but none is powerful enough to subdue the others.
Sentence 20.3Characteristically, the city swallows up the United Nations and refuses to take it seriously, regarding it as an unworkable mixture of the idealistic, the impractical, and the hypocritical.
Sentence 20.4But New Yorkers themselves are in training in how to live together in a diversity of races—the necessary initiation into the future.
段落完整解析
段落主旨与篇章作用
主旨:多样性为这个城市增添了无穷的色彩,漫步其间,赏其美景,嗅其芬芳,潜移默化学得其中的真谛。
作用:承接前文继续发展中心话题,通过事实、描写、解释或评价补充新的论证层次。
行文结构与逻辑
先写“多样性为这个城市增添了无穷的色彩,漫步其间,赏其美景,嗅其芬芳,潜移默化学得其中的真谛。”;中部推进到“同样地,在纽约,奢华的高楼大厦构成的大街从来都是与穷街陋巷比邻而存。”;最后落在“像这样的结合是不稳定的;它会引起摩擦,或是一种令人不安的忍耐,而这种 忍耐有时会发展成为一种真正的容忍。”,构成起点—展开—落点的层次。
主要关系:因果、转折/对照、并列/递进
核心句法
There is a wonderful variety of places to eat or shop, and though the most successful of such places are likely to be touristy hybrid compromises, they too have genuine roots.
句型:复合句/复杂句。使用 there be 存现结构,真正信息焦点位于 be 之后;含从属连词 though,构成时间、原因、让步、条件或比较状语。
- 从属标记为 though;它们分别组织让步、原因、时间、条件或选择关系。
词汇与短语
- hybrid/ˈhaɪbrəd/混合的,杂种的
- admixture/ədˈmɪkstʃɚ/混合,混合物
- high-rise/ˈhaɪ ˌraɪz/高层建筑;高层的
- fortitude/ˈfɔrtɪˌtud/坚韧,刚毅
- forbearance/fɔˈrbɛrəns/容忍,忍耐
修辞手法、原文证据与效果
- Hyperbole / Absolute Diction · 夸张/绝对化措辞endless color to the city使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
- Enumeration / Parallelism · 列举/排比Other American cities have ethnic turfs jealously defended, but not, I think, such an admixture of groups, thrown together in such jarring juxtapositions.多个同类词组、分句或结构连续排列。累积细节、加强节奏,并使论证或描写更有气势。
- Antithesis · 对照Other American cities have ethnic turfs jealously defended, but not, I think, such an admixture of groups, thrown together in such jarring juxtapositions.以 but 等转折标记把方向相反的判断置于相近结构中。突出矛盾、反转或价值冲突,使论点更鲜明。
- Litotes / Negative Emphasis · 曲言/否定强调never far from poverty and mean streets通过否定、双重否定或弱化措辞表达强烈判断。语气比直接断言更克制,却能产生反向强化。
- Hyperbole / Absolute Diction · 夸张/绝对化措辞never far from poverty and mean streets使用全称、极端范围或绝对数量词扩大表达程度。强化作者情绪和判断力度;理解时需结合上下文而非机械按字面取值。
翻译与理解难点
- 破折号或分号承担补充、转折或并列分层,翻译时要保留层次而不必机械照搬标点。
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
- 被动结构应根据中文习惯处理为主动、无主句或“被”字句,重点保留施受关系。
Sentence 21.1The diversity gives endless color to the city, so that walking in it is a constant education in sights and smells.
Sentence 21.2There is a wonderful variety of places to eat or shop, and though the most successful of such places are likely to be touristy hybrid compromises, they too have genuine roots.
Sentence 21.3Other American cities have ethnic turfs jealously defended, but not, I think, such an admixture of groups, thrown together in such jarring juxtapositions.
Sentence 21.4In the same way, avenues of high-rise luxury in New York are never far from poverty and mean streets.
Sentence 21.5The sadness and fortitude of New York must be celebrated, along with its treasures of art and music.
Sentence 21.6The combination is unstable; it produces friction, or an uneasy forbearance that sometimes becomes a real toleration.
段落完整解析
段落主旨与篇章作用
主旨:人们对于纽约的情绪常在爱与恨之间徘徊交替。
作用:收束全文:回应前文的中心问题,把局部叙述或论证提升为结论、余韵或主题判断。
行文结构与逻辑
先写“人们对于纽约的情绪常在爱与恨之间徘徊交替。”;中部推进到“这个地方发生的事情经常让人恼羞 成怒,但也不时令人精神振奋。”;最后落在“住在这儿,人们就有信心坚强地面对生 活。 (选自《大西洋》,1978年9月)”,构成起点—展开—落点的层次。
主要关系:并列/递进
核心句法
Loving and hating New York becomes a matter of alternating moods, often in the same day.
句型:简单句或并列句。有过去分词短语,通常表示被动或完成并作后置修饰/状语。
- 阅读顺序应为:先确定主语和限定谓语,再接宾语或表语,最后回填介词短语、修饰语和语气成分。
词汇与短语
- 本段以常用词为主;重点应放在词语搭配、指代和上下文语义上。
修辞手法、原文证据与效果
- Plain Exposition · 平实说明本段主要依靠叙述或逻辑说明推进,没有足以独立判定的显性修辞格;表达效果来自事实顺序和语义衔接。
翻译与理解难点
- 代词和关系词必须回指到明确对象;先确认先行词,再决定中文是否需要补出名词。
Sentence 22.1Loving and hating New York becomes a matter of alternating moods, often in the same day.
Sentence 22.2The place constantly exasperates, at times exhilarates.
Sentence 22.3To me, it is the city of unavoidable experience.
Sentence 22.4Living there, one has the reassurance of steadily confronting life.
课文精解
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1. the Big Apple:纽约的绰号。 2. Nowadays New York is out of phase with American taste:out of phase“与……不同步,不协调”。例:The two sets of traffic lights were out of phase and several accidents occurred.那两组交通灯不同步因而发生了几起事故。 3. Whaddya gonna do:口语用法,相当于What are you going to do? 4. New York was never Mecca to me:Mecca麦加,伊斯兰教的圣地,信徒们朝圣的场所。此处作者说“纽约不是我的麦 加”,表达“并不崇尚喜爱纽约”之意。 5. But all in all, I can’t think of many places in the world I’d rather live:all in all“从各方面考虑,从各方面来说”。例:All in all it had been a great success.从各方面来说,那都是各极大的成功。 6. I wasn’t even sure how I’d measure up against others:measure (up)against“与……竞争,较量”。 7. Ivy League:常春藤联盟。常春藤联盟由美国东北部之八所学校组合而成:布朗大学(Brown)、哥伦比亚大学 (Columbia)、康乃尔大学(Cornell)、达特茅斯学院(Dartmouth)、哈佛大学(Harvard)、宾州大学 (Pennsylvania)、普林斯顿大学(Princeton)、及耶鲁大学(Yale)。除康乃尔大学外,所有这些学校均在美国独立战争 前创设,每所院校的入学标准均非常严格。 8. Alfred Kazin:阿尔弗莱德·卡津,美国作家、评论家。 9. Wall Street:华尔街,纽约市曼哈顿区南部一条大街。设有纽约证券交易所、美国证券交易所、投资银行、政府和市办 的证券交易商、信托公司、联邦储备银行、各公用事业和保险公司的总部以及棉花、咖啡、糖、可可等商品交易所,是金 融和投资高度集中的象征。 10. …catering to a wide American public whose numbers must be respected:cater to“满足某种需要或要求”。例:newspapers catering to people’s love of scandal迎合人们爱看丑闻消息的报纸。 11. …which seemed to be succumbing to the tawdriness of its environment:succumb to“不再抵抗,屈从”。例:The driver has succumbed to his injuries.司机已经重伤不治。 12. …one learns not to strike up conversation (which isn’t wanted):strike up sth“开始(交谈、认识等)”。例:He would often strike up conversations with complete strangers.他经常与陌生人搭讪。 13. Characteristically, the city swallow up the United Nations and refuses to take it seriously:swallow up吞没或掩盖。例:The jungle swallowed up the explorers.探险人员消失在密林里了。
文体与修辞总解
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1. 文体 本文是一篇说明文(a piece of expository writing)。 文章第一段至第五段从整体上介绍了纽约在美国人以及外国人眼中的地位,并隐射纽约城市中粗俗的生机与活力。随后, 从第六段至第二十一段,作者客观描述了纽约人的艰难生活,并阐释了“尽管纽约有其缺点和不足,但纽约人对它始终是 爱大于恨。”这个观点。文章最后总结到,人们对纽约爱恨交织是一种常态,常常发生在一天之内。 2. 修辞 本文涉及的修辞手法主要有antonomasia,alliteration,metonymy,parallelism,antithesis,personification,transferred epithet,synecdoche,euphemism,metaphor以及simile。 (1)antonomasia Antonomasia是指用形容词、头衔等代替专有名词,比如用the Almighty代指上帝,用his Honour指法官,用Father of lies(谎 言之父)指Satan。同时也可以用来表示用专有名词代替普通概念,Uncle Sam代替USA,Hercules(赫格立斯)代very strong person(力大无穷者)。换称中的专有名词通常有这几种来源:宗教、古代及当代的历史和文学。在本文中,作者 用the Big Apple来指代纽约。 (2)personification Personification把事、物、观念等拟作人,赋予它们以人的思想与行为方式。这种拟人化的修辞手法读起来使人感到特别形 象生动、富有情趣。如:The huge wave stretches out his arms to hold me high up in the air. 巨浪伸出双臂,将我高高托起。 (3)euphemism Euphemism就是用转弯抹角的说法来代替直截了当的话,把原来显得粗鲁或令人尴尬、犯忌触讳的语言温和、含蓄地表达 出来。如:用sanitation engineer替代garbage man(清洁工);用the disadvantaged替代the poor(穷人);用industrial action替 代strike(罢工)等。值得一提的是Euphemism和Understatement(低调陈述)比较类似,Euphemism存在一种相对固定的说 法,总是用于取代犯忌触讳,或显粗鲁及今人不快的表达。而Understatement较之Euphemism具有更广的使用域,其修辞功 能也更加丰富多彩,故二者之间是两个相互独立的辞格,各领风骚,自成一体。 其余修辞手法前面单元已经详细介绍过,在此不再累述。
常见修辞区分
| 手法 | 核心差异 | 判定方法 |
|---|---|---|
| Metaphor 隐喻 / Simile 明喻 | 隐喻直接等同,明喻用 like、as 等标记相似。 | 先找比较标记;有标记通常是明喻,无标记再判断是否跨概念映射。 |
| Metaphor 隐喻 / Personification 拟人 | 拟人是把人的动作、感官或意志赋给非人对象。 | 只有出现人的能力时才判拟人;一般形象替换判隐喻。 |
| Metonymy 借代 / Synecdoche 提喻 | 借代依赖一般关联;提喻必须是部分与整体关系。 | 地点代机构是借代,mind/hand 等身体部分代人常是提喻。 |
| Transferred Epithet 移就 / Personification 拟人 | 移就是形容词的逻辑修饰对象发生转移;拟人是主语获得人的属性。 | 追问形容词本来应该形容谁;若只是修饰错位而无人的动作,就是移就。 |
| Parallelism 排比 / Antithesis 对照 | 排比要求结构相近;对照还要求意义方向相反。 | 相同结构可以只是累积;出现 but、while、more/less 等反向意义时可能兼有对照。 |
| Irony 反讽 / Paradox 隽语式矛盾 | 反讽存在字面与真实态度反差;悖论表面矛盾但逻辑可成立。 | 判断作者是否在嘲讽字面说法;若重点是揭示复杂真理,则更接近悖论。 |
| Hyperbole 夸张 / Litotes 曲言 | 夸张扩大程度;曲言用否定或弱化表达强意。 | all/never/endless 常提示夸张;far from/not uncommon 等常提示曲言。 |
| Enumeration 列举 / Climax 层进 | 列举只堆叠项目;层进要求强度、范围或情绪逐步增强。 | 检查能否任意调换顺序;若换序破坏递进,才是层进。 |
| Antonomasia 换称 / Metonymy 借代 | 换称多用固定别名、头衔或典型专名替代对象;借代只需一般关联。 | Big Apple 代纽约是换称;Wall Street 代金融界通常判借代。 |
| Euphemism 委婉语 / Understatement 低调陈述 | 委婉语回避禁忌、粗鲁或尴尬说法;低调陈述则有意减弱任何程度。 | 先问是否存在被社会习惯回避的直白词;若没有,只是缩小程度,则偏向低调陈述。 |
| Ellipsis 省略 / Fragment 句子残缺 | 修辞性省略依靠上下文仍能恢复成分;错误残句则缺乏可恢复依据。 | 补回省去的主语、谓语或重复结构后语义完整,才可判为 ellipsis。 |
| Symbolism 象征 / Metaphor 隐喻 | 隐喻通常作用于局部表达;象征意象会跨段或贯穿全文反复承载主题。 | 一次性的形象替换多为隐喻;反复出现并与人物命运、主题对应的 loons 属于象征。 |
| Analogy 类比 / Simile 明喻 | 明喻通常比较一个形象特征;类比会让两套关系或系统在较长论证中对应。 | 一句 like 比较常是明喻;用钟表系统解释生态系统则是类比。 |
| Rhetorical Question 反问/设问 / Genuine Question 真问 | 修辞问句用于强调或引出论点;真问以取得未知信息为目的。 | 看上下文是否立即自答、答案是否显然,以及说话人是否真的等待信息。 |
| Repetition 反复 / Anaphora 首语反复 | 反复可出现在任何位置;首语反复要求连续分句或句子用同一开头。 | 只有重复位于多个结构的起首位置时,才进一步判为 anaphora。 |
| Alliteration 头韵 / Assonance 元音韵 | 头韵重复词首辅音;元音韵重复重读元音。 | 按声音而非拼写判断;前者看开头辅音,后者看词内部重读元音。 |
| Allusion 用典 / Quotation 引语 | 用典只需唤起熟知人物或故事,不一定逐字引用;引语明确保存他人原话。 | 出现 Faust、Paradise Lost 等文化专名多为用典;带出处的原句则还可同时构成引语。 |
完整词汇与美式 IPA
bush /ˈbʊʃ/
粗俗的,乡土气的,乡下的
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beget /bɪˈɡɛt/
产生,引起,招致
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holdout /ˈhoʊˌldaʊt/
坚固据点
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deficiency /dɪˈfɪʃənsi/
缺乏,不足
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pacesetter /ˈpeɪˌsɛtɚ/
标兵
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sitcom /ˈsɪˌtkɑm/
情景喜剧
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clone /ˈkloʊn/
无性生殖;b) to make multiple identical copies of (a DNA sequence)复 制,克隆
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preempt /ˈpriˌɛmpt/
占据……的位置,取代
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casino /kəˈsinoʊ/
娱乐场,赌场
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nightspot /ˈnaɪtˌspɑt/
夜总会
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superdome /ˌsupɚˈdoʊm/
超级穹顶
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bilk /ˈbɪlk/
蒙骗,欺骗
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dynamism /ˈdaɪnəˌmɪzəm/
活力,精力,推动力
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put-down /ˈpʊt ˌdaʊn/
贬低的话,反驳;无礼的回答
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foothold /ˈfʊˌthoʊld/
立足点,据点
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jostle /ˈdʒɑsəl/
在人群中)推挤,推撞
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proximity /prɑˈksɪməti/
亲近,接近
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tint /ˈtɪnt/
给……着色,染色
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gaudy /ˈɡɔdi/
绚丽的,华丽而俗气的
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jagged /ˈdʒæɡəd/
锯齿状的,参差不齐的
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skyline /ˈskaɪˌlaɪn/
空中轮廓线
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gamely /ˈɡeɪmli/
不屈不挠地,勇敢地
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encroach /ɪˈnkroʊtʃ/
侵犯,侵占,侵略
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pristine /ˈprɪstin/
质朴的,纯洁的
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vivacity /vɪˈvæsəti/
活泼,快活,生机勃勃
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tranquil /ˈtræŋkwəl/
平静的,安静的
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carnival /ˈkɑrnəvəl/
狂欢,热闹,欢 宴
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glamour /ˈɡlæmɚ/
魅力,吸引力
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beckon /ˈbɛkən/
点头,招手
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banal /bəˈnɑl/
平庸的,平凡的;陈腐的
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squalor /ˈskwɑlɚ/
肮脏;不幸,悲惨
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plush /ˈplʌʃ/
豪华的
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grubby /ˈɡrʌbi/
肮脏的,凌乱的
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precinct /ˈpriˌsɪŋkt/
区域,范围。
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bohemian /boʊˈhimiən/
波希米亚的
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fringe /ˈfrɪndʒ/
边缘,外围,边界
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boutique /buˈtik/
时装精品店
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subculture /ˈsʌˌbkʌltʃɚ/
亚文化群
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estrange /ɛˈstreɪndʒ/
使疏远,离间
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ratify /ˈrætəˌfaɪ/
批准,认可
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deplore /dɪˈplɔr/
痛惜,悔恨
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catchy /ˈkæˌtʃi/
引人注目的,醒目的
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jingle /ˈdʒɪŋɡəl/
押韵诗
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admen /ˈædmən/
广告员
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ancillary /ˈænsəˌlɛri/
附属的,辅助的
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brittle /ˈbrɪtəl/
尖利的,刺耳的
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condescending /ˌkɑndɪˈsɛndɪŋ/
故意屈尊的,叫人欠情似的
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malleable /ˈmæliəbəl/
有延展性的,可锻的;可适应的
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turnstile /ˈtɝˌnstaɪl/
十字转门
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hype /ˈhaɪp/
欺骗,骗局(夸张或过分 的宣称,尤其用在做广告或促销物品)
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scruple /ˈskrupəl/
顾虑,迟疑
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adjoining /əˈdʒɔɪnɪŋ/
相连的,邻接的,隔壁的
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amenity /əˈmɛnəti/
地方、气候等)适意,爽适, 宜人
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succumb /səˈkʌm/
屈服,屈从
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tawdry /ˈtɔdri/
价廉而花哨的,俗气的
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astir /əˈstɝ/
活动的,轰动的
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strew /ˈstru/
散播,撒布
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brusque /ˈbrʌsk/
唐突的,粗鲁的
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cabana /kəˈbænə/
简易浴室
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antiseptic /ˌæntəˈsɛptɪk/
冷静的,超然的,客观的
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enclave /ˈɑˌnkleɪv/
在大文化团体中的一个少数派集团
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hassle /ˈhæsəl/
混乱,麻烦
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congenial /kəˈndʒinjəl/
同类的,同情的;b) suited to one’s needs or nature; agreeable相宜的,适合的
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bracing /ˈbreɪsɪŋ/
振奋精神的,令人奋发的
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rigor /ˈrɪɡɚ/
严厉,苛刻
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congested /kəˈndʒɛstəd/
拥挤的
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taunt /ˈtɔnt/
嘲笑,嘲弄
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mongrel /ˈmɑŋɡrəl/
贬>杂种,混交种
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metropolis /məˈtrɑpələs/
大城市,大都会
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tumultuous /ˌtuˈmʌˌltʃuəs/
骚乱的,吵闹的
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precarious /priˈkɛriəs/
不稳当的,不安全的
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hybrid /ˈhaɪbrəd/
混合的,杂种的
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turf /ˈtɝf/
俚语]活动范围,势力范围
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admixture /ədˈmɪkstʃɚ/
混合,混合物
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jar /ˈdʒɑr/
冲突,抵触;不和
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juxtaposition /ˌdʒʌkstəpəˈzɪʃən/
并列,并置
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fortitude /ˈfɔrtɪˌtud/
坚韧,刚毅
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forbearance /fɔˈrbɛrəns/
容忍,忍耐
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exasperate /ɪˈɡzæspɚˌeɪt/
激怒,恼怒
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exhilarate /ɪˈɡzɪlɚˌeɪt/
鼓舞,使振奋
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expense-account /ɪˈkspɛns əˌkaʊnt/
可由公司报销开支的;公费账户的
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first-rate /ˈfɝst ˌreɪt/
一流的;极好的
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high-rise /ˈhaɪ ˌraɪz/
高层建筑;高层的
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off-Broadway /ˈɔf ˌbrɔˌdweɪ/
外百老汇的;纽约小型专业剧场的
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off-off-Broadway /ˈɔf ˌɔf ˌbrɔˌdweɪ/
外外百老汇的;更小型、更实验性的剧场的
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single-minded /ˈsɪŋɡəl ˌmaɪndəd/
目标专一的;专心致志的
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star-filled /ˈstɑr ˌfɪld/
布满星星的
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T-shirt /ˈti ˌʃɝt/
T恤衫
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T-shirts /ˈti ˌʃɝts/
T恤衫(复数)
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trash-strewn /ˈtræʃ ˌstrun/
垃圾遍地的
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well-paid /ˈwɛl ˌpeɪd/
薪酬优厚的
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well-to-do /ˈwɛl ˌtu ˌdu/
富裕的;小康的
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would-be /ˈwʊd ˌbi/
想要成为……的;自称的
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全部习题与参考答案
教材习题
Exercises a eee ee I. Oral Presentation Make a five-minute presentation in class based on your research and experience. ® Suggested topics: * 1. Provide information about some of the places in New York City mentioned in the text, such as Manhattan, Central Park, Madison Avenue, Fifth Avenue, Broadway, Wall Street, etc. 2. Acity that I love and hate a. II. Questions A. Questions on the Content 1. What, according to the writer, do the ad campaigns celebrating the Big Apple and “I love New York” T-shirts show? In what fields can New York no longer be regarded as the leading American city? What are its deficiencies as a pacesetter? Why do many Europeans call New York their favorite city? Why did the writer go and live in New York? Why do many young people still go to New York? In what respects is New York still regarded as the leading American city? Bek eh EE Byes Teed tS Why is New York called an international metropolis? - Questions on Structure and Style What is the main theme of this article? Where is it specifically stated? How is the article organized? Comment on the diction of the writer. Pick out terms that you think are peculiarly American. Does the writer really both love and hate New York? Cite examples to back up your analysis. What is the topic sentence of Paragraph 8? How is the paragraph developed? How does the writer describe the different aspects of New York by comparing the different attitudes of outsiders and New Yorkers? Syegy fm ears cee III. Paraphrase Explain the following sentences in your own words, bringing out any implied meanings. 1. Nowadays New York is out of phase with American taste... (Para. 2) 2. New York even prides itself on being a holdout from prevailing American trends... (Para. 2) oo) ...sitcoms cloned and canned in Hollywood, and the Johnny Carson show live, preempt the airways from California... (Para. 3) ...it is making something of a comeback as a tourist attraction... (Para. 4) To win in New York is to be uneasy... (Para. 6) Nature’s pleasures are much qualified in New York. (Para. 8) ...the city’s bright glow arrogantly obscures the heavens. (Para. 8) But the purity of a bohemian dedication can be exaggerated. (Para. 10) In both these roles it ratifies more than it creates. (Para. 11) 10. The television generation grew up in the insistent presence of hype... (Para. 13) 11. ...those who are writing ambitious novels sustain themselves on the magazines. (Para. 13) 12. Broadway, which seemed to be succumbing to the tawdriness of its environment, is astir again. (Para. 15) 13. The defeated are not hidden away somewhere else on the wrong side of town. (Para.18) 14. The place constantly exasperates, at times exhilarates. (Para. 22) SO NS er IV. Practice with Words and Expressions A. Look up the dictionary and explain the meaning of the italicized words and phrases, ...New York even prides itself on being a holdout... (Para. 2) ...the Johnny Carson show live... (Para. 3) ...the city’s charged, nervous atmosphere... (Para. 5) ...it is also about mockery, the put-down... (Para. 6) I wasn't even sure how I'd measure up against others... (Para. 9) ... devising the catchy jingles... (Para. 12) ...in Manhattan's expense-account French restaurants. (Para. 12) ...those whose paintings don't sell do illustrations... (Para. 13) ...those who can't get acting jobs do commercials... (Para. 13) This distancing, this uncaring in ordinary encounters... (Para. 14) 11. ...avenues of high-rise luxury in New York... (Para. 21) 12. ...never far from poverty and mean streets. (Para. 21) ONS SOM Gr ee S B. Explain what the following proper names symbolize. Model: the White House—the executive branch of the US government Hollywood Tin Pan Alley Madison Avenue Fifth Avenue Broadway Greenwich Village Disneyland Wall Street CoN St ee C. Point out what figure of speech is used in each of the following sentences. 1. ...while sitcoms cloned and canned in Hollywood, and the Johnny Carson show live, preempt the airways form California... (Para. 3) ( ) 2. Tin Pan Alley has moved to Nashville and Hollywood. (Para. 3) ( ) 3. New York was never Mecca to me. (Para. 7) ( ) 4. Nature constantly yields to man in New York: witness those fragile sidewalk trees gamely struggling against encroaching cement and petrol fumes. (Para. 8) ( ) 5. So much of well-to-do America now lives antiseptically in enclaves, tranquil and luxurious, that shut out the world. (Para. 16) ( ) 6. The defeated are not hidden away somewhere else on the wrong side of town. (Para. 18) 7. Characteristically, the city swallows up the United Nations and refuses to take it seriously, regarding it as an unworkable mixture of the idealistic, the impractical, and the hypocritical. (Para. 20) ( ) V. Translation A. Translate the following sentences into Chinese. 1. Those ad campaigns celebrating the Big Apple, those T-shirts with a heart design proclaiming “I love New York,’ are signs, pathetic in their desperation, of how the mighty has fallen. (Para. 1) 2. Nowadays New York is out of phase with American taste as often as it is out of step with American politics. (Para. 2) 3. A dozen other cities have buildings more inspired architecturally than any built in New York City in the past twenty years. (Para. 3) 4. New York was never a good convention city—being regarded as unfriendly, unsafe, overcrowded, and expensive—but it is making something of a comeback as a tourist attraction. (Para. 4) 5. They take more readily than do most Americans to its cosmopolitan complexities, its surviving, aloof, European standards, its alien mixtures. (Para. 5) 6. But all in all, I can’t think of many places in the world Id rather live. (Para. 7) 7. It has become less a tranquil park than an untidy carnival. (Para. 8) 8. A testing of oneself, a fear of giving in to the most banal and marketable of one’s talents, still draws many of the young to New York. (Para. 10) 9. In time the newcomers find or form their own worlds; Manhattan is many such worlds, huddled together but rarely interacting. (Para. 14) 10. The newcomers are never fully absorbed, but are added precariously to the undigested many. (Para. 19) B. Translate Paragraphs 20-22 into Chinese. Read, Think and Comment Below is a passage from Down and Out in Paris and London by George Orwell. Read it and prepare to discuss: What is the central idea of the paragraph? How does the paragraph begin? What method is used in developing the central idea? It was amusing to look round the filthy little scullery and think that only a double door was between us and the dining-room. There sat the customers in all their splendour—spotless tablecloths, bowls of flowers, mirrors and gilt cornices and painted cherubim; and here, just a few feet away we in our disgusting filth. For it really was disgusting filth. There was no time to sweep the floor till evening, and we slithered about in a compound of soapy water, lettuce-leaves, torn paper and trampled food. A dozen waiters with their coats off, showing their sweaty armpits, sat at the table mixing salads and sticking their thumbs into the cream pots. The room had a dirty, mixed smell of food and sweat. Everywhere in the cupboards, behind the piles of crockery, were squalid stores of food that the waiters had stolen. There were only two sinks, and no washing basin, and it was nothing unusual for a waiter to wash his face in the water in which clean crockery was rinsing. But the customers saw nothing of this. There were a coconut mat and a mirror outside the dining-room door, and the waiters used to preen themselves up and go in looking the picture of cleanliness.
学习指南参考答案
A. 1. These signs show that New York is no longer the leading city in the United States. 2. New York no longer begets the styles and sets the trends. It is no longer a pacesetter. 3. Other cities have buildings more inspired architecturally. The center of music and sports has also shifted to other cities. As a tourist attraction it is inferior to New Orleans, San Francisco, Washington or Disneyland. Finally, there are many better cities to live in than New York. 4. The Europeans call New York their favorite city because they like its cosmopolitan complexities, its surviving European standards and its alien mixtures. Perhaps some of these are reassured by the international names of jewelers, shoe stores and designer shops. But what most excites Europeans is the city’s charged, nervous atmosphere, its vulgar dynamism. 5. Tim writer went to New York because he likes to live there and he could practice the kind of journalism he wanted in that city. 6. The young people go to New York to test themselves and to avoid giving in to the most banal and marketable of their talents. In New York they also find the company of many other young people similarly fleeing from the constricting atmosphere of smaller cities. 7. New York is still the banking and communications headquarters for America. The networks’ news centres, the largest book publishers, the biggest magazines, the ad agencies are all here, appraising and ratifying the films, the plays, the music, the books that others have created. 8. It is in fact the first truly international metropolis because here one finds a much wider mixture of nationalities Asians, Africans, Latins and all varieties of Europeans. B. 1. This article is a piece of expository writing. The main theme or thesis is stated by the title “Loving and Hating New York”, or more specifically, by the first sentence of the last paragraph: “Loving and hating New York becomes a matter of alternating moods, often in the same day.” 2. This article is well organized. The first five paragraphs can be a general introduction, pointing out the present status of New York City in the United States and in the eyes of foreigners. To be more specific, the first four paragraphs describe how New York City is no longer a leading city and a pacesetter. Para. 5 presents the status of New York as a favorite city in the eyes of many Europeans. The last sentence of Para. 5 acts as a transition to the actual description of New York City’s charged, nervous atmosphere, and its vulgar dynamism. Paras. 6-21 consists Part Two, which objectively and emotionally describes New York and the life and struggle of New Yorkers and also explains New Yorkers’ love for the city which is stronger than hate in spite of its shortcomings and disadvantages. Para. 22 can be Part Three. It centers on the theme by stating “Loving and hating New York becomes a matter of alternating moods, often in the same day.” 3. This article is full of American English terms, phrases and constructions. Such as T-shirt, hassle, plush, holdout, comeback, putdown, measure up, expense-account, etc. 4. The writer states that he both loves and hates New York, but the reader fails to see where or why he hates New York. It is clear that Griffith loves New York and feels exhilarated living there. He may sometimes feel exasperated but this feeling is never strong enough to turn to hate. The writer shows his love for New York with the words such as energy, contention striving, etc. 5. The topic sentence of paragraph 8 is the first sentence. “Nature’s pleasures are much qualified in New York.” The writer uses many examples to develop this paragraph and to back up the statement made in the topic sentence. 6. By comparing their different attitudes or feelings of love and hate towards New York City, the writer describes both positive and negative aspects or advantages and disadvantages of New York. To New Yorkers who love this city so much, New York is a place of opportunity, energy, bracing competitiveness, etc. But outsiders find New York oppressive and disgusting. Their different attitudes present a complete picture of New York. 1. Nowadays New York cannot understand nor follow the taste of the American people. 2. New York boasts that it is a city that resists the prevailing trends (styles, fashion) of America. 3. Situation comedies made in Hollywood and the actual performance of Johnny Carson now replace the scheduled radio and TV programs for California. 4. New York is regaining somewhat its status as a city that attracts tourists. 5. A person who wins in New York is constantly disturbed by fear and anxiety (because he is afraid of losing what he has won in the fierce competition). 6. The chance to enjoy the pleasures of nature is very limited. 7. At night the city of New York is aglow with lights and seems proudly and haughtily to darken the night sky. 8. But a pure and wholehearted devotion to a Bohemian life style can be exaggerated. 9. In both these roles of banking and communications headquarters, New York starts or originates very few things but gives its stamp of approval to many things created by people in other parts of the country. 10. The television generation was constantly and strongly influenced by extravagant promotional advertising. 11. Authors writing long serious novels earn their living in the meantime by also writing articles for popular magazines. 12. Broadway, which seemed unable to resist the cheap, gaudy shows put on in the surrounding areas, is once again busy and active. 13. Those who failed in the struggle of life, the down-and-outs, are not hidden away in slums or ghettoes where other people can’t see them. 14. New York constantly irritates and annoys very much but at times it also invigorates and stimulates. A. 1. holdout: (Americanism) a place that holds out; hold out: continue resistance; stand firm; not yield 2. live: transmitted during the actual performance 3. charged: tense; intense 4. put-down: (American slang) a belittling remark or crushing retort 5. measure up: (Americanism) prove to be competent or qualified 6. jingle: a verse that jingles; jingling arrangement of words or syllables 7. expense-account: (Americanism) an arrangement whereby certain expenses of an employee in connection with his work are paid for by his employer 8. illustration: a picture, design, diagram, etc. used to decorate or explain something 9. commercial: (radio and TV) a paid advertisement 10. distancing: be reserved or cool toward; treat aloofly 11. high-rise: (Americanism) designating or of a tall apartment house, office building, etc., of many stories /(noun) a high-rise building 12. mean: poor in appearance; shabby B. 1. Hollywood: U.S. motion picture industry or its life, world, etc. 2. Tin Pan Alley: the publishers, writers, and promoters of popular music; center of popular music 3. Madison Avenue: the advertising industry, its practices, influence, etc. 4. Fifth Avenue: fashionable shopping center 5. Broadway: the New York commercial theatre or entertainment industry 6. Greenwich Village: center for artists, writers, etc., in New York 7. Disneyland: (after an amusement center near Los Angeles, created by Walt Disney) a place or condition of unreality, fantasy, incongruity, etc. 8. Wall street: the U.S. money market or the U.S. financiers and their power, influence, policies, etc. C. 1. alliteration, metaphor 2. metonymy 3. metaphor, metonymy 4. personification 5. metaphor, synecdoche 6. euphemism 7. personification V. See the translation of the text. 1. This paragraph is taken from Down and Out in Paris and London by George Orwell. In this paragraph he draws the difference between “the filthy little scullery” and the dining room of a Parisian restaurant. He develops his paragraph mainly by abundant descriptive details and the use of concrete words. 2. This paragraph is taken from The Crisis in Man’s Destiny by Sir Julian Huxley. The main idea is expressed in the topic sentence “Science is exploding even more violently than population.”, which is developed by a combination of facts, judgments, and semifactual statements. The semifactual topic sentence is supported by statistical evidence (physical fact) in sentences 2, 3 and 4. In sentence 5 he makes three judgments based on the factual evidence in the paragraph. 3. This paragraph is taken from The Age of Fable by Thomas Bulfinch. The main idea is expressed in the opening topic sentence: “Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.” The writer uses multiple examples to develop and illustrate this view.